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Le Corbusier Le Grand: New Format MIdi Edition

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內容簡介
科比意(法文:Le Corbusier,1887年10月6日-1965年8月27日,又譯柯比意或柯比西埃,原名Charles-Édouard Jeanneret-Gris),法國建築師、室內設計師、雕塑家、畫家,是20世紀最重要的建築師之一,是功能主義建築的泰斗,被稱為「功能主義之父」。他和巴克敏斯特·富勒、密斯·凡·德羅並稱為國際形式建築派的主要代表。勒·科比意致力於讓居住在擁擠都市的人們有更好的生活環境,在都市計劃有相關的影響,也是國際現代建築協會(CIAM)的創始成員。

科比意在他24歲(1911年)的時候,開始他個人三次遊歷歐洲的壯遊,其行經的路線從中歐到君士坦丁堡,再從君士坦丁堡到義大利,最後才回到他自己的家鄉瑞士。在壯遊的歷程中,科比意開始逐步建構他的建築思想。他認為現代建築必須要向古典主義(特別是米開朗基羅、巴洛克風格之前)的建築學習,滿足簡單的生活機能即可,不必再加上瑣碎的、頹廢的、裝飾的、貴族的美學風格。

接著在科比意27歲(1914年)的時候,他提出了Dom-ino System(多米諾、骨牌屋)住宅的概念,特別是「構架結構」(Frame Architecture)的思想:將牆跟結構分離,牆不再跟結構產生關係。因為這樣子的關係,形成了他自由平面(Free Plan)的想法,科比意認為透過「牆柱分離」才能產生自由化的建築。
著名的「新建築五點」是科比意在39歲(1926年)時所建構出的美學理論,而此五項原則與科比意早先發展之Dom-Ino系統有著一些原則上之關連。簡言之,科比意於1914年發展出Dom-Ino系統的構造研究,此系統是他從鋼筋混凝土邏輯中所發展出的技術概念,這種概念中他提出Dom-Ino為一種配備,就其形狀及拼合方式成為一種產品設計,用來正視住宅問題,而得到「住宅機器」(House Machine),因而滿足了戰後重建、大量生產、標準化、可自由之拼組之需要。而科比意的五項原則正是Dom-Ino觀念的具體化。而如1922年科比意由Dom-Ino系統所建造出的一架空支承於托柱上的Citrohan住宅也很接近的預示了科比意的五項原則。

書籍影片

作者簡介
Jean-Louis Cohen is undoubtedly France's most authoritative and knowledgeable historian of twentieth-century architecture and urbanism. He divides his time between Paris and New York, where he is the Sheldon H. Solow Professor in the History of Architecture at the Institute of Fine Arts of NYU University. 

Tim Benton, a highly regarded Le Corbusier scholar, is a Lecturer in the History of Art, Open University, Milton Keynes, England.

書籍目錄
006  The Man with a Hundred Faces by Jean-Louis Cohen
018  1 Childhood and Early Travels (1887-1917)
084  2 Becoming Le Corbusier (1917-1926)
120  3 Urban Visions and Purist Villas (1922-1935)
222  4 In Search of the Big Commission (1926-1942)
308  5 Paris, Vichy, and the War (1937-1943)
362  6 Grand Projects on a Human Scale (1942-1952)
436  7 Passage to India (1950-1962)
554  8 The Sacred and the Sublime (1950-1959)
642  9 Mediterranean Days (1950-1959)
684  10 Retrospection (1954-1965)

756  Documents
         Notes
         Chronology
         Selected Bibliography
         Index

專屬特惠活動
購買《Le Corbusier Le Grand: New Format MIdi Edition》一書,將贈送《After the Masters - Contemporary Indian Architecture》,數量有限送完為止,敬請把握!!

裝訂方式:精裝
頁        數:864
尺        寸:290X221 mm
語        言:英文

贈書《After the Masters - Contemporary Indian Architecture》
書籍內容
The American architect Louis Kahn is one of the great master builders of the twentieth century. With complex spatial compositions, an elemental formal vocabulary and a choreographic mastery of light, Kahn created buildings of archaic beauty and powerful universal symbolism. Among his most important works are the Salk Institute in La Jolla, California (1959–65), the Kimbell Art Museum in Fort Worth, Texas (1966–72) and the National Assembly Building in Dhaka, Bangladesh (1962–83). Louis Kahn: The Power of Architecture is the first comprehensive publication on this architect in 20 years, and presents all of his important projects. Essays by prominent Kahn experts discuss the sources, contexts and influences of his work; among the authors are such renowned art and architectural historians as Stanislaus von Moos, William J. R. Curtis, Eeva-Liisa Pelkonen and Neil Levine. Topics discussed include Kahn’s pioneering role in concrete construction; the visionary plans for his home city of Philadelphia; his years at Yale University; his dialogue with Josef Albers; and his importance for modern architecture in Southeast Asia. An illustrated biography provides new facts and insights about Kahn’s life and work. In interviews, leading architects such as Frank Gehry, Renzo Piano, Peter Zumthor and Sou Fujimoto explain Kahn’s significance in today’s architectural discourse. An extensive catalogue of works features original drawings and architectural models from the Kahn archive, many of which are presented with high-quality images for the first time. The book is further augmented by a portfolio of Kahn’s travel drawings as well as photographs by Thomas Florschuetz, which offer completely new views of the Salk Institute and the Indian Institute of Management.
Born in Estonia, Louis Kahn (1901–1974) emigrated to the U.S. with his family in 1906. After studying at the University of Pennsylvania, and working for several architecture firms in Philadelphia, Kahn founded his own atelier in 1935. From 1947 to 1957, Kahn served as a design critic and professor at the Yale School of Architecture, and later as professor of architecture at the School of Design at the University of Pennsylvania.

書籍影片

裝訂方式:精裝(有書衣)
頁        數:221
尺        寸:300X225 mm
語        言:英文


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